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Elgar The Kingdom
Edward Elgar

Crouch End Festival Chorus

Elgar The Kingdom

Price: € 22.95
Format: CD
Label: Signum Classics
UPC: 0635212089620
Catnr: SIGCD 896
Release date: 09 May 2025
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2 CD
€ 22.95
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Label
Signum Classics
UPC
0635212089620
Catalogue number
SIGCD 896
Release date
09 May 2025
Album
Artist(s)
Composer(s)
EN

About the album

Recorded in the recently restored 1875 Victorian Theatre at Alexandra Palace, Crouch End Festival Chorus and David Temple present Elgar's The Kingdom. Joined by London Mozart Players the soloists include Francesca Chiejina, Dame Sarah Connolly Benjamin Hulett and Ashley Riches. Arguably Elgar's least well-known choral work, The Kingdom is a mixture of gentle conversational sections and astonishing dramatic passages, and David Temple believes it is the quality of the orchestral writing that elevates it to justifiably sit alongside Elgar's other notable works. "I am so taken with it… It is a gem from the first note to the last, and my desire to share this as widely as possible is reinforced by the present recording…One thing that cannot happen in a concert performance is ‘repeated listening’. A recording, by contrast, holds an open invitation at the end… to return to the beginning! This drip-feed allows the music to be deeply absorbed, and it is this which I believe will enable The Kingdom’s true quality to be more widely appreciated" - David Temple.

Artist(s)

Crouch End Festival Chorus

Founded in 1984, Crouch End Festival Chorus has established a reputation as one of the world’s leading symphonic choirs, repeatedly commended for its communicative power and versatility. Under David Temple MBE, its conductor and co-founder, the choir gives concerts that illuminate the choral world with imaginative and bold programming, in which established choral works are mixed with commissions of great variety and innovation. The Chorus is much in demand among the top orchestras in the UK and performs regularly for the BBC, recently in John Adams’s Harmonium and Verdi’s Requiem at the BBC Proms, in 2023 and 2024 respectively. It has appeared in recent concert performances of Prokofiev’s Cantata for the Twentieth Anniversary of the October Revolution under Vladimir Ashkenazy...
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Founded in 1984, Crouch End Festival Chorus has established a reputation as one of the world’s leading symphonic choirs, repeatedly commended for its communicative power and versatility. Under David Temple MBE, its conductor and co-founder, the choir gives concerts that illuminate the choral world with imaginative and bold programming, in which established choral works are mixed with commissions of great variety and innovation. The Chorus is much in demand among the top orchestras in the UK and performs regularly for the BBC, recently in John Adams’s Harmonium and Verdi’s Requiem at the BBC Proms, in 2023 and 2024 respectively. It has appeared in recent concert performances of Prokofiev’s Cantata for the Twentieth Anniversary of the October Revolution under Vladimir Ashkenazy and Berlioz’s Grande Messe des morts under François-Xavier Roth, among others. In constant demand for recording work and live promotions, the Chorus has worked with musicians from the rock and pop world and with television and film composers; recent highlights include recording the GRAMMY-nominated soundtrack for Rocketman and the music for the TV series Good Omens. It has also enjoyed regular collaborations with Sir Ray Davies, Ennio Morricone, Noel Gallagher and Hans Zimmer, all of whom are patrons of the choir. Recent recordings, conducted by David Temple, include the first in forty-five years of J.S. Bach’s St John Passion sung in English, which was released by Chandos Records in 2017 and continues to garner critical acclaim; the world-premiere recording of Hubert Parry’s oratorio Judith, released in March 2020 also on Chandos Records; the American composer Arnold Rosner’s Requiem – another world-premiere recording; and Britten’s Saint Nicolas with the BBC Concert Orchestra.

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London Mozart Players

Founded in 1949 by Harry Blech to delight audiences with the works of Mozart and Haydn, the London Mozart Players is the UK’s longest established chamber orchestra. Known for its unmistakable British roots, the orchestra has developed an outstanding reputation for adventurous, ambitious programming from Baroque through to genre-crossing contemporary music. LMP has enjoyed a long history of association with many of the world’s finest artists including Sir James Galway, Dame Felicity Lott, Jane Glover, Howard Shelley, Nicola Benedetti, John Suchet and Simon Callow. The orchestra enjoys an international reputation, touring extensively throughout Europe and the Far East. The London Mozart Players regularly performs on London’s premier concert platforms, including the Royal Festival Hall, St John’s Smith Square and Cadogan Hall...
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Founded in 1949 by Harry Blech to delight audiences with the works of Mozart and Haydn, the London Mozart Players is the UK’s longest established chamber orchestra. Known for its unmistakable British roots, the orchestra has developed an outstanding reputation for adventurous, ambitious programming from Baroque through to genre-crossing contemporary music. LMP has enjoyed a long history of association with many of the world’s finest artists including Sir James Galway, Dame Felicity Lott, Jane Glover, Howard Shelley, Nicola Benedetti, John Suchet and Simon Callow. The orchestra enjoys an international reputation, touring extensively throughout Europe and the Far East.
The London Mozart Players regularly performs on London’s premier concert platforms, including the Royal Festival Hall, St John’s Smith Square and Cadogan Hall as well as cathedrals and other concert venues across the UK. LMP is the resident orchestra at Croydon’s Fairfield Hall and will celebrate this venue’s reopening after refurbishment in 2019 with a gala concert which will also mark the orchestra’s 70th birthday. The orchestra’s anniversary year will see a wide range of concerts in the capital’s top concert venues including performances at Kings Place, Conway Hall and a return to Southbank’s Queen Elizabeth Hall. As one of the original pioneers of orchestral outreach work, LMP has enjoyed a host of relationships with schools and music hubs across the UK (and also in Dubai and Hong Kong), working with many teachers and heads of music to inspire the next generation of musicians and music lovers. As well as working with schools, LMP continues its 70-year tradition of promoting young up-and-coming musicians. Nicola Benedetti, Jacqueline du Pré and Jan Pascal Tortelier are just three of many young musical virtuosi championed early in their careers by the orchestra.
The LMP enjoys a special relationship with its audience. The orchestra always tries to break down the ‘fourth’ wall between musicians and audience, and this is achieved in part as the orchestra is self-directed. Many concerts, such as its acclaimed ‘Piano Explored’ series, involves a ‘deconstruction’ of the works on the programme, allowing greater understanding and engagement with the music and with the musicians themselves.

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David Temple (conductor)

Composer(s)

Edward Elgar

Eward Elgar was a British composer, who stood on the forefront of the revival of English music around 1900. Many of his works have entered the international concert repertoire, although there are performed more often in Britain than elsewhere. Although Elgar is often considered as a typically English composer, he has primarily been influenced by composers on the European continent. He was contemptuous of folk music and had little respect for English Renaissance and Baroque composers. Instead he was particularly inspired by Dvorák, Händel and Brahms, and the clarity of 19th-century French composers, which resonates through his orchestrations. Elgar was autodidact, and learned to play the organ, violin and viola at an early age within the musical family in which he was...
more
Eward Elgar was a British composer, who stood on the forefront of the revival of English music around 1900. Many of his works have entered the international concert repertoire, although there are performed more often in Britain than elsewhere.
Although Elgar is often considered as a typically English composer, he has primarily been influenced by composers on the European continent. He was contemptuous of folk music and had little respect for English Renaissance and Baroque composers. Instead he was particularly inspired by Dvorák, Händel and Brahms, and the clarity of 19th-century French composers, which resonates through his orchestrations.
Elgar was autodidact, and learned to play the organ, violin and viola at an early age within the musical family in which he was brought up. He also composed and arranged music for various ensembles. He became somewhat well-known with his overture Froissart, but only gained international recognition after composing his Enigma Variations in 1899. Currently researchers are still trying to find out which melody Elgar has hidden within the variations.
Other famous works by Elgar are the Pomp and Circumstance Marches, the oratorio The Dream of Gerontinus and the Cello Concerto.
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Press

Play album Play album
Disc #1
01.
The Kingdom, Op. 51: Prelude
08:33
(Edward Elgar) London Mozart Players
02.
The Kingdom, Op. 51: I. In the Upper Room:
08:07
(Edward Elgar) Francesca Chiejina, Crouch End Festival Chorus, Sarah Connolly, Benjamin Hulett, Ashley Riches, London Mozart Players
03.
The Kingdom, Op. 51: I. In the Upper Room:
08:26
(Edward Elgar) Francesca Chiejina, Crouch End Festival Chorus, Crouch End Festival Chorus, Sarah Connolly, Benjamin Hulett, Ashley Riches, London Mozart Players
04.
The Kingdom, Op. 51: II. At the Beautiful Gate: The Morn of Pentecost:
05:27
(Edward Elgar) Francesca Chiejina, Sarah Connolly, London Mozart Players
05.
The Kingdom, Op. 51: III. Pentecost: In the Upper Room: In Solomon's Porch:
04:43
(Edward Elgar) Benjamin Hulett, Crouch End Festival Chorus, Ashley Riches, London Mozart Players
06.
The Kingdom, Op. 51: III. Pentecost: In the Upper Room: In Solomon's Porch:
05:35
(Edward Elgar) Sarah Connolly, Crouch End Festival Chorus, Benjamin Hulett, Ashley Riches, London Mozart Players
07.
The Kingdom, Op. 51: III. Pentecost: In the Upper Room: In Solomon's Porch:
13:26
(Edward Elgar) Francesca Chiejina, Crouch End Festival Chorus, Sarah Connolly, Benjamin Hulett, Ashley Riches, London Mozart Players

Disc #2
01.
The Kingdom, Op. 51: IV. The Sign of Healing: At the Beautiful Gate:
08:47
(Edward Elgar) Francesca Chiejina, Crouch End Festival Chorus, Sarah Connolly, Benjamin Hulett, Ashley Riches, London Mozart Players
02.
The Kingdom, Op. 51: IV. The Sign of Healing: The Arrest:
09:10
(Edward Elgar) Crouch End Festival Chorus, Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, London Mozart Players
03.
The Kingdom, Op. 51: V. The Upper Room: In Fellowship, The Breaking of Bread, The Prayers:
08:22
(Edward Elgar) Francesca Chiejina, Crouch End Festival Chorus, Sarah Connolly, Benjamin Hulett, Ashley Riches, London Mozart Players
04.
The Kingdom, Op. 51: V. The Upper Room: In Fellowship, The Breaking of Bread, The Prayers:
08:45
(Edward Elgar) Francesca Chiejina, Crouch End Festival Chorus, Sarah Connolly, Benjamin Hulett, Ashley Riches, London Mozart Players
show all tracks

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